Leaving Chambray

Today we left Chambray for central France. Thursday night our hostess, Sophie, knocked on our door waving a huge skeleton key and announcing that this was the key to the church next door. She had called the President of the church restoration committee and obtained permission for us to visit l’eglise Saint Martin de Chambray. This church has kept us company with its bells all week. It is very picturesque.

Inside I found an active church and ongoing restoration. Vandals continue to break windows and scrawl graffiti on the doors, but inside the work progresses. Like most other French churches, this one suffered greatly during the revolution in the 19th century. Churches and their windows, icons, statues, etc. were destroyed and the buildings given to “the people.” Later these churches were returned to the church. L’eglise Saint Martin shares a priest with five other churches in neighboring villages. Therefore, services are held here only once a month or so. Sophie showed me the various new statues, stations of the cross, and restored paintings. She explained that the bells are controlled electronically by satellite! The pews are arranged in closed boxes, with a place for the family name next to each box. Families can pay for such a private pew. Public pews line the outer walls of the sanctuary. Of course this is all a bit hazy because Sophie was explaining it in French!

We then entered the bell tower. First she showed me the lower room where the rope bell pulls used to come down through holes in the ceiling for someone to pull. Then we went around the outside to a small bridge over the moat-like ditch that surrounds the church and into the mid-level room. This is where the stairs began to climb to the tower. The first two flights of stairs are now replaced by aluminum ladders. The rotted wood stringers still cling to the walls. The first ladder leads to a wood platform clinging tenaciously to the wall. The second ladder rises from there to another wood platform that is the base for the wooden ladders above. It is a precarious setup and we did not attempt it. Thus you can see my photos from below. Sophie returned Friday evening and offered Jean the same tour.

Thursday night our house was thrashed by a great storm. Lightening flashed like strobe lights and the thunder rolled continuously for over an hour. There were no bolts and no single thunder claps, just a continuous light show and loud roar. It most reminded me of a Wisconsin tornado. Sophie’s house next to ours is in a low spot and she had 2-3 inches of water inside. She spent 3 hours mopping up during the night.

Friday we spent painting and packing. Today we hit the road toward the Dordogne Valley. Tonight we are in a charming hotel in Chanoneaux, La Roseraie, recommended by none other than Rick Steves.

Our Renault Diesel is getting over 35 mpg and running well. I misnamed it in my original post about car rental. It is a Renault Megane. Why can’t we have efficient diesels like this in the US? Anyway, our next post will be from points further south.

Au revoir!

Paul

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Avers sur Oise

Thursday we drove to Avers sur Oise, the final resting place of Vincent Van Gogh. He spent his final months here, living in a small room at the inn and painting in the area. These are among his most famous paintings. The village is largely dedicated to his memory and work, but there are other artistic sights as well. Daubigny and his son painted here before Van Gogh.  There is a small, but very nice, Mussee  de Daubigny above the Tourist Information Center.

We walked the lanes Van Gogh walked in search of scenes that inspired him. Starting at the inn, we strolled up a small lane, climbed a hill through narrow streets to Daubigny’s atelier. Then we crossed the hill on the top of the town to Notre Dame d’Avers sur Oise. This church has been painted by many, but Van Gogh’s paintings of it are terrific examples of the height of his talent. Leaving the church, we climbed a hill toward the cemetery about a half mile away. It sits in the middle of grain fields overlooking the valley of the Oise, much as it did in Van Gogh’s day.

This active cemetery is covered with flowers. As we have seen elsewhere the French honor their families with living and cut flowers that are tended by family members. Vincent Van Gogh has a simple monument against the back wall of the cemetery. His younger brother, Theo, died one year later and is buried next to him. Theo was Vincent’s dealer, best friend, muse, and patron. That he died of syphyllus less than a year after Vincent committed suicide makes us wonder if knowledge of his brother’s weakening state deepened Van Gogh’s depression that led to suicide. We will never know. Although Theo lived in Paris, they are now buried together. Did Theo request this? That, also, we do not know.

Returning on our walk along the lanes we found a monument honoring Daubigny. It stands on the roundabout just below the church. Then we walked the lanes back to the Daubigny Museum. There we found a special exhibit of the Zadine, the sculptor who created the Van Gogh statue in town. He also has made it his life’s work to create other interpretations of Van Gogh and the two brothers. His bronzes of Vincent and Theo together show two men intertwined and grasping each other. They are very moving. The museum also houses an exquisite collection of oils, watercolors, drawings, and etchings from the 19th century. Most of them are of Daubigny and his son, Carl, but there are other artists represented as well. This little museum is something artists should visit.

Our day ended with a leisurely drive via our British GPS guide down the Oise to the Seine. We followed a road along the top of the bluffs, then circle back along a road on the riverside. From the top the views were dramatic as the river twists its way through forests, fields, and villages. On the lower road one finds more intimate views. One of the more interesting discoveries there were the famous cave homes. These troglodyte houses appear in many places in France, wherever the rock is soft enough to easily excavate, but hard enough to endure. Most of the caves we saw are now businesses rather than houses. They are simply a wooden door mounted on the side of a cliff. Behind the doors there are rooms quarried into the rock, lit by electricity. We even found a Troglodyte Church! Although it isn’t a cave itself it is dedicated to these modern cave dwellers.

It was a grand day.

Paul

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Etretat Photos

Etretat Photos

As promised, here are some of my photos from Etretat. There are so many beautiful images I almost chose these at random. What the impressionists said was true, the light changes every few minutes and you must capture it immediately. Photos of the same subject changed dramatically with the shadows of the sun moving and the passing clouds. It is a magical place despite the hordes of tourists.

Enjoy,

Paul

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In the Footsteps of the Impressionists

Today we went to Etretat, a vacation village nestled between cliffs on the ocean. These cliffs provided inspiration for romantic and impressionist artists in the 19th century. We saw a painting by Turner of these cliffs while we were in London. We’ve also seen paintings by Delacrois, Corbet, Matisse, Corot, Manet, Sisley, Renoir and many others of the various arches and stacks that make up the cliffs. It was thrilling to be there, tiring to hike 2 miles up the cliffs to various viewpoints and then 2 miles back down. (No charge unlike the famous Cliffs of Mohr in Ireland.) However, the place is overrun with tourists. It is quite the Auguest destination. We enjoyed a late lunch at a beachside cafe and watched the people saunter by.

No time for pictures tonight at the Tabac. It’s busy with men smoking and drinking. When I get my photos from Entretat downloaded I will post some. That may not be until Saturday evening if we don’t find an alternative internet connection. In the mean time I have found a few paintings on the internet for your viewing pleasure.

Au revoir!

Paul

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In Monet’s Footsteps

On Sunday we visited Giverny, home of (Oscar) Claude Monet. We had seen a poster advertising a special impressionist exhibit at the Museum of the Impressionists and were not disappointed. The Clark Collection is from the Clark Institute in Massachusetts. These seriously rich folks dedicated their lives to collecting fine art and then established and endowed a museum to house their collection. The works here are the cream of their impressionist works. It was stunning and most paintings that we had never seen before. This would be worth seeing if you are going to Massachusetts!

After the museum we made the pilgrimage to Monet’s home, studio, and gardens. Being an August Sunday it was crowded, but nevertheless we enjoyed our visit. We didn’t go into the house this time as we had done it before and didn’t feel like seeing it again. His studio is now the gift shop. Just to stand in that huge open space and imagine what it would be like to paint in such a structure is mindboggling. He created the studio expressly so he could have a place to paint the large water lily canvasses. After strolling through the flower gardens, we followed an underground passage beneath the road to Monet’s ponds created more than a century ago. He diverted water from the nearby river and used small dams to create a series of ponds. He carefully stocked the ponds with water lilies, planted trees and flowering shrubs around them, and made himself a park in which to paint throughout the seasons. We spent at great deal of time photographing the ponds and plants.

To end the day we drove to Moulin des Forges, a place we had visited in 2003 for lunch. It’s a small mill turned restaurant that sits on the river at the edge of the village Forges. There is a small public park across the bridge from the mill, beautiful fields, hills, trees, and the mill with its wheel still turning in the current. We may go there for dinner sometime this week, but decided we probably won’t go there to paint.

That’s my post from our village Tabac (tobacco store and bar) that has wifi if you buy a drink. I’m sitting with my beer watching a thunder storm outside. We stayed home today and painted. More on that later. Here are some photos from yesterday.

Paul

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Introduction to Chambray

On Saturday (our 24th wedding anniversary) I walked to the car rental, stood in line for 30 minutes, was offered a 1995 Peugot, asked for a newer car and got a 2011 Renault Menage. The check in was brief with no orientation to the car, minimal info on how to leave the parking garage, and no idea how to return the car at the end of our trip. Then I sat in the parking garage for 15 minutes trying to figure out how to start the car (no keys) and how to shift it into reverse (a secret button). Finally I learned what I needed at was at JP and Elli’s in 10 minutes.

We successfully navigated out of Paris with the help of our GPS and hit the highway toward Rouen. At Vernon we faithfully followed our British voiced guide to turn toward Chambray, arriving about 1:00. We found a restaurant at the head of the street where our gite is located and stopped for a leisurely and quite good lunch lunch. We arrived at the gite at 3:45 and were met by Sophie after a few tense minutes when we couldn’t figure out how to open the gate (not locked, but a secret latch). Sophie speaks less English than we speak French, so we had a great deal of fun making each other understood as she gave us a tour of the house and its accoutrements.

After settling in we decided to take a walk around Chambray. First we visited the old restored church next door to our house. It is lovely, but locked. Sophie said she can arrange for us to access if we want, but we’re not sure we will. The grounds and buildings are very pleasant. Then we walked “uptown.” Sophie had warned us that there are only 3 businesses in the village: the restaurant we had already visited, a Tabac or Bar that has wifi, and a boulangerie that is closed for the month of August. The nearest grocery stores are two villages and about 12 kilometers away. It is a very small and quiet village. We walked along one of the main streets, taking pictures and smelling flowers to a street that goes to the bridge over the River Eure. This river forms the west border of the village. The bridge has a small park at each side for public use. It is very picturesque and may appear in some paintings. Then we walked up to the other main street and back toward home, passing the Tabac along the way. About half a dozen men lounged in and outside the establishment. One of them had a dog that seemed to take exception to Jean and growled at her most alarmingly while being coaxed away by his owner. (The large dog was not on a leash.)

Anyway, that’s our village home this week.  Here are a few of my photos from around town.

Paul

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Our Last Day in Paris

Today is our final day in Paris. We are sorting, packing, and cleaning in preparation for hitting the roads tomorrow morning. Some things will stay here to pick up when we return on our way to London. However, with art materials we will have our little rental car packed to the gills. I hope it all fits.

Our time in Paris has been as fun and fulfilling as we had hoped. We have seen fantastic art, discovered hidden corners of the city, explored many of Paris’ clean and picturesque parks, and learned how to communicate with Frenglish and sign language. In addition we have had the opportunity to spend concentrated time with and get to know better our friends JP and Elli. In addition to introducing us to local markets, parks, and the joys of sipping tea or coffee at a sidewalk cafe, we have spent many delightful evenings chatting in their apartment. We will miss their company when we leave.

The next posts will be from rural and small town France. Our first stop is Chambray, just 50 miles northwest of Paris. We have rented a small house there for a week. It is near Giverny (Monet’s home) and Avers-sur-Oise where Van Gogh painted and died. In addition there are numerous sites within an hour or two where painters have created famous works for the last 2 centuries. We hope to visit and paint in as many of those sites as we can. However, we are uncertain about internet connections, so stay tuned to see where our next blog post originates.

Here are a few of my photos to bid Paris adieu.

Paul

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Waiting for Van Gogh

Paris - Musée d'Orsay: Van Gogh's Eugéne Boch

Image by wallyg via Flickr

Paul: Let’s go.

Jean: We can’t.

Paul: Why not?

Jean: We’re waiting for Van Gogh!

That has been the story for the last two weeks as Musee d’Orsay rearranged their exhibits once again as part of their renovations. Van Gogh and Gauguin have been missing and we have been waiting. The museum information desk promised us they would be back last Tuesday. Alas, they were not. Therefore, the wait continued.

Today our waiting was rewarded with a stunning three rooms of Vincnt Van Gogh and Paul Gauguin. It included some works we have not seen before and many old favorites. There is no question that Van Gogh has become my favorite painter. His final works in the last months of his life are particularly exquisite. If somehow his manic depression had been brought under control, would he have painted such masterpieces? It’s a difficult question. He had painted some beautiful works as well while in the asylym near Arles and, apparently, with his illness under control. We will never know what might have been. Follow this link to Musee d’Orsay’s web collection of Van Gogh images. They aren’t as good as the real thing, but hopefully gives you an idea of what we saw. It was worth waiting for Van Gogh.

I also discovered a Paul Gauguin painting that is unbelievable. It does not look like a typical Gauguin. A still life of flowers, painted with the most delicate stroke and palette. I was blown away by the painting. Here’s a link to an image of it that doesn’t do it justice, but is the best I can find: Nature Morte a la Mandoline

Paul

 

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Another Week in Paris: Postscript

How could I have forgotten our day in Montmartre and visit to the Salvador Dali Museum? We road the metro halfway up the hill that is Montmartre, the tallest peak in Paris at about 500 feet. The hill is noticeable from throughout Paris due to Basilica Sacre Coeur de Montmartre that towers at the top of the hill with it’s white facade and dome. This church is both a political and religious statement, built by conservatives in the early 20th century in penance for 19th century social and political excesses.

We have never entered among the throngs of tourists who flock to this landmark. Instead our favorite spot is a smaller, more traditional church next door, l’eglise Saint Pierre du Montmartre. This old and easily missed church has beautiful stained glass depicting the life of Christ, some ancient oil paintings (in the dark), and a quiet meditative atmosphere. You won’t find hordes of tourists in here, but you will find solitude and beauty.

Next we visited the Dali Museum. The exhibits were much different than we saw in 2003. Many of the features of this museum were created at the direction of the artist. Dali was an amazing man. He met and conversed with popes, presidents, movie stars, artists, and common people. All of these contributed ideas to his busy mind. He spent a good deal of time with Sigmund Freud. One of the exhibits was a collection of paintings he did trying to bring science and religion together…now there’s an ambitious project. However, my favorite were his interpretations of well known literature. I’ve include a snapshot of his Romeo and Juliet wall. Much more than a simple artist, Dali was a philosopher, a comic, an actor, a musician, and a poet. This museum is a must see in Paris.

Montmartre includes Place du Tertre where  artists congregate to paint for tourists and pickpockets slip in to lighten tourists’ loads. It’s a madhouse of cafes, artists with their easels and paints, mimes, musicians, etc. We love it! A few of the artists were quite good. Most were doing sketches of people on the spot to make money. However, some of the better artists were working on oil paintings while selling finished pieces.

All in all, Montmartre is a required stop when visiting Paris. How could I have forgotten it in my previous post?

Je suis desole!

Paul

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Another Week in Paris

This week we made a couple of excursions downtown to see art, had a great dinner with our friends, watched a French soccer match on TV, lounged around our studio, and did some of our own art work. If you haven’t seen it, check out Jean’s post earlier today about pastels. She has wonderful photos of some of the artworks we’ve seen.

We returned to Musee d’Orsay to see Van Gogh, only to learn that he and Gauguin are still missing in action. The curators are taking longer than announced to rehang these works. We will try again next week. If we don’t see them now we will have to squeeze in a quick visit in October.

As an alternative we visited a relatively new museum, Pinacotheque de Paris. Although a bit expensive, this is a museum worth visiting. One of its specialties is bringing foreign collections to Paris. We viewed a collection from The Hermitage in St. Petersburg that highlighted the tastes of the different Romanov Tsars. It included many works by old masters and some of contemporaries of the Tsars. The other special exhibit was the Esterhazy Collection from The State Museum in Budapest. This includes works from all periods and styles. It had some exquisite paintings. A Titian caught my fancy immediately and kept drawing me back for another look. It also included Monet, Degas, Van Gogh, and many others too numerous to remember.

However, the most interesting thing about Pinacotheque de Paris is the Director’s philosophy regarding display of art. Collectors display their collections, which are a mix of different styles and periods reflecting the collector’s tastes. Mr. Restillini’s vision is to create this same experience with their permanent collection. As a result you see paintings from different centuries, and with varied subjects, and many styles. This French video guide shows many of the works in the collection. It is a refreshing way to view art that makes you really look at each piece. Here is a statement of Mr. Restillini’s philosophy.  

Only one more week in Paris before we begin our odyssey to paint in the footsteps of the impressionists from Normandy to Provence. We’re looking forward to getting our easels out in the open air. I’ve been able to do some painting in our apartment, but am anxious to paint with the subject in front of me. Before we leave The Pompidou Center is on our list. It will be a busy week.

Au revoir!

Paul

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