A Cold and Raing Day In Paris

Another day of cold and rain in Paris. This is not the summer weather we expected in Paris. It feels like Ireland. My assumption is that this weather snuck into our suitcases and came into France undetected. Therefore, I must accept at least partial blame for what the long range forecast says will be at least two more weeks of rain and highs of 16C/65F. My apologies, Paris.

This comes as the Paris Plages is due to begin on Thursday. Please click the link for complete details. This is a month long celebration where the banks of the Seine are lined with sand to simulate beaches. Deck chairs, volleyball nets, etc. are provided as well. Then it’s party time from 8:00 AM to midnight every day! This year bring your own raincoat or umbrella or both. There was no sign today that the city has begun to spread the sand.

Jean’s cold is hanging on so I decided to venture out by myself to Musee d’Orsay today. The bus stopped in front of our building as I stepped out and dropped me at the Louvre 20 minutes later. Then the fun began. I walked through a steady drizzle for about 1.5 kilometers to the d’Orsay. There was a line of people winding around the block and up the river front, but I thought it was no big deal because I have a membership pass! I went to the entrance and then followed the line right back to the bridge. Along the way I asked an American couple near the front how long they had been waiting…90 minutes! When I saw the rest of the line I decided to outwit everyone and go to Musee l’Orangerie instead. It has a marveloue Impressionist collection. I walked across the bridge and through the Tuleries only to find that Musee l’Orangerie is closed on Tuesdays.

By then my pants were soaking wet. I decided to stop into a cafe and enjoy some hot chocolate while sketching the habitues. However, due to the rain all the cafes were full…no one wanted to sit on the sidewalk. I gave up and caught the bus back to rue de Charonne. A stop to get some wine, cheese, a baguette, and kleenex (for Jean) and I was back home. 

One adventure along the way was being approached by a cute little French woman on the bank of the Seine. (Eat your hearts out guys.) She “found” a gold ring on the sidewalk as I was approaching, exclaimed her delight in such a find (in French), and went on her way. Then she called me from behind and asked if I thought the ring was gold. I looked at it and confirmed that it said 18k inside. She exclaimed her happiness again and promptly offered me the ring “for luck.” I declined and suggested in my pigeon French that she give it to her boyfriend. She said she wanted to give it to me so I would have luck and she would have luck. She put it in my hand and then asked if I could just give her a little something to buy food. Aha! After a few back and forths of “No” and “Yes, luck” I put the ring firmly on her finger and suggested that she sell it if she was hungry. (By this time I deduced that she understood more English than was first apparent.) She stuck out her lower lip (as only Parisian girls can) and I walked away. I glanced back and she was walking away. However, when I got about 100 yards further I looked back and she had retraced her route to the same corner and was standing there looking for another mark. I guess I could have had a gold ring for a couple of Euro. What do you think?

Another event today is that the apartment managers posted bulletins (in French, so I’m not sure of the translation) that the electrical service would be cut of for part of the day. It seemed that the sign said between 9:00 AM and 1:00 PM. We slept a bit late and just were moving around 9. We soon discovered that the internet connection wasn’t working. Okay, maybe the power work was affecting it. We never saw the power go off in our apartment, but this afternoon/evening we have the internet again. Just another adventure in a foreign land.

With rain forecast for two weeks we must get used to it. Tomorrow is another day.

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New Art Discoveries

Jean is a little under the weather this weekend with the sniffles, so I took a walk by myself to Musee Carnavalet. The Hotel Carnavalet is a mixture of architecture from 1548 to 1866, when the City of Paris extended it around the courtyard to make more room for the museum. It is dedicated to the history of Paris and includes recreated rooms from different eras, sculptures, and over 2000 paintings. I apologize for the quality of the photos. Musee Carnavalet is not an art gallery, which is reflected in how the paintings are or are not lighted. I had to get some weird angles to minimize reflections from bad lighting and some paintings weren’t lit at all. Despite that I wanted to show some that inspire me.

I was particularly interested in paintings of street scenes. These provide a good exercise in perspective and I want to try my hand at some. Abel Truchet, caught my eye. One room featured a small grouping of his Paris street scenes from the Victorian Era. I love his loose style, the wonderful way he captures figures and motions, and his colorful palatte.

I have included one other painting in the slide show below that just made me smile. It also is a wonderful example of painting a figure. Both the woman and the cat are beautifully rendered in a modern style. The artist is Robert Humblot.

Now I will get out my paints. Perhaps soon I will have some paintings to share. Au revoir!

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Apres Manet . . .

This a quick, about two minute sketch I did, copying in pastel, a quick watercolor sketch Manet did on a letter he sent to another artist. I’m sure it didn’t take him longer than two minutes to do his sketch and I wanted to duplicate that effort.

Unfortunately, I can’t find a digital copy of Manet’s sketch for your delight. Let me assure you that his was done with much more skill, but I doubt it gave him any more satisfaction . . . smiling. I fell in love with this little trifle of his and did a quick pencil sketch of it at the musuem. (See Paul’s earlier post about this visit to the Musee Orsay.)

As an interesting aside there were several of these quick watercolor sketches in the show, all on letters to the same artist. When I searched online for this particular sketch I found one of the others that had recently sold at auction for 42,000 pounds. 42,000 pounds!!!!

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Looking for Home

Looking for home I came to Dunfanaghy and Horn Head on the north coast of Donegal in Ireland. My ancestors came from here.

On the way to Dunfanaghy we stopped at the Glebe Gallery and chanced on a meeting with a possible distant relative, one Jean Kearney descended from the Stuart family with Hays’ in her background. We spent a wonderful hour sharing good craic with Jean. She was a delight to meet and raised my spirits about coming home.

Once we arrived in Dunfanaghy it seemed immediately different from the rest of our Ireland experience.

Like the rest of Ireland it is beautiful. It has magnificent cliffs to rival the famous Cliffs of Moher. In fact, the cliffs of Horn Head and on nearby Tory Island are more enjoyable. They are wilder, less visited; you can walk out on them whenever you want and see very few other people. You can lose yourself in their magnificent wildness.

Still, there was something that unsettled me. I searched for words to describe it . . . remote came to mind but it is not quite right . . . there was an unformed feeling about the area but what does that mean?

Certainly it is not barren. There are flowers . . . wild flowers and heather and sandy beaches to enliven the landscape. And trees. Wonderful, glorious trees.

Is it that it is swept clean? In winter the winds blow fiercely. Horn Head is on the edge of the ocean, but there is not the proliferation of seabirds we found in Dublin and Glendalough and Kerry and Dingle and Sligo.

The sky broods here, as is does all over Ireland . . . marked by quicksilver changes . . . filtering the light through an ever changing cloudscape . . . yielding a luminous, uncertain glow . . . . beguiling your mind with it’s peculiar Irish charm.

I could not pinpoint why, but Dunfanaghy filled me with uncertainty.

Finally, going to the place that was likely the home of our family on Horn Head brought it all into focus. I was feeling desolate, not a part of this place, unwelcomed. Not only was this no longer home, it had never been home. My ancestors came looking for a place to be. In the end they left, looking for some place else to be.

I looked around, imagined my ancestors living there, and then leaving: I took in the trees, the woods that surrounded where they lived and was reminded of the woods that surrounded the land my grandparents built their home on in Pennsylvania. I imagined my ancestors clearing areas in these woods to grow food. Imagined them harvesting food, cutting peat, hunkering down for the long dark fierce winter days and welcoming the long light summer days; imagined them finally taking their last view of Muckish Mountain, that force of nature that dominates the landscape. And then they were gone.

What brought them to Dunfanaghy? They came from Scotland in 1610. Did they come with the Stuart lord who owned this land? That is likely. The Stuarts brought many families with them when they left Scotland for Ireland. But why did they all leave Scotland in the first place? And why did my Hays ancestors leave Dunfanaghy 200 years later? Many Scots came to Ireland over a number of centuries, often as soldiers. But my ancestors were farmers not soldiers.

My family and the Stuarts were Protestants. Perhaps they were outsiders in Scotland, and came to Horn Head seeking a remote place where they could find a measure of religious freedom. Horn Head was certainly remote.

Whatever their reasons for moving, first from Scotland, then from Ireland, I know that eventually they did not take a stand in either place. It’s easy to speculate that like others they left Ireland because of the potato famine. Walking the land where they lived I felt deeply that it wasn’t so. In the end this was not home for them and that is why they left.

A vivid memory of my own past has come to mind: living in Buffalo, New York, driving to work and each day passing the Interstate highway and longing to be on that road . . . to go I knew not where. And thinking again of my Grandparents home in Pennsylvania I am remined that none of our family lives there now. We are scattered in the wind.

Standing on the Stuart property on Horn Head I began to understand myself better. I had not come to a place where I could take my stand when I was in Buffalo. I was not home. Like the rest of my family in all places, I eventually took that road out of town and it seems I’ve been on the road in one way or another ever since.

I believe now that this searching is bred in the bone.

_____________

Tom Paxton’s ‘I Can’t Help But Wonder Where I’m Bound.’ (http://www.youtube.com/watch?v=kqpLqUIyK24&feature=related).

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Irish Flowers

It is cool and raining in Paris. We seem to have brought Irish weather with us. Therefore, it’s a good time to stay inside Atelier Sullivan-Bauck and paint. I’ve finished two paintings.

It’s also a good time to reflect on our time in Ireland. The images and thoughts of our time there create a kaleidoscope in my mind. It’s time to begin trying to make some sense of it all. I’m goint through my photos to look for painting subjects and think about the stories behind the images. Here are some of my favorite flower pictures from Ireland. They will inspire many paintings. I hope you enjoy them.

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Manet on Bastille Day

Last night the firecrackers and bottle rockets began. This morning we ate breakfast watching squadrons of tankers, fuelers, fighters, and helicopters fly past our window. They were flying over the parade down Camps-Elysees, which we chose to avoid. Many shops and other businesses are closed today to celebrate French independence from monarchy…Bastille Day.  Please check this link to see great photos of the celebration.

Although we skipped the parade (and will not view the fireworks later tonight) we did venture downtown to the Musee d’Orsay. An international exhibit of Manet will close this weekend and we didn’t want to miss it. Therefore, we walked the 3-4 miles to the museum (following the Left Bank), saw a military convoy cross Place Bastille, visited the padlock symbols of love on Pont des Arts, stood in line with the crowds, negotiated an artiste pass for Jean (she had a membership card that I lack), and bumped through the crowded exhibit. It was worth it. I believe that this exhibition is coming to San Francisco next winter. Those of you who are interested should keep a lookout for it. It includes Manet works from collections all over the world. Click the link above to see as much of the exhibit as you can. Photography is not allowed.

After the museum we walked back following the Right Bank to Place Bastille (the scene of the action during the revolution, but now a relatively staid square housing the opera house). From there it was just a couple of kilomiters to home with a few stops for macarons, wine, and a bagette for dinner. Wine, cheese, olives and bread for dinner with multi-flavored macarons for dessert. Who could ask for anything else?

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Settling Into Paris

We’ve spent a couple of days settling into JP and Elli’s studio and waiting for our art supplies to arrive from Dublin. One of us needed to be around all the time to greet the delivery, so we didn’t do any sightseeing and couldn’t do much art work. Thanks to my VA colleagues who bought me the Kindle for retirement!

Yesterday the art suitcases arrived and we have begun to set up our studio in the kitchen. We each have about one square yard of floor space. The table will be used for anything that can’t sit on the easel. Today it is to rain all day, so we are going to paint. Perhaps I’ll have something to post later. There is no shortage of subject matter.

One daily routine is a trip to shop for that day’s food…the boulangerie for for bread, the boucherie for meat (if we want it), and one of the markets for other items. I also found a little Moroccan housewares store that is crammed with anything you might need. We are settling into a Paris apartment life. The apartment is in Arrondissement 11 for those who know Paris. The neighborhood once was blue collar working class, but is rapidly becoming gentrified due to the lower cost of housing than in other Paris neighborhoods. Seattlites could compare what is happening here to what happened in their Central District. 

The constant noise of the city is interesting. We are in a large apartment complex, surrounded by others. Our windows face other apartments with a small courtyard down the middle. That makes for a wonderful echo chamber. A babble of French coming from apartments above, below, and next to us, sirens, horns, jack hammers, and the ever present church bells each quarter hour. Monday night we “shared” in a birthday party across the way as they sang Happy Birthday, first in French and then in English. I have reverted to ear plugs at night so I can sleep.

Au revoir!

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Parisienne Serendipity

Today was a great day. We decided to take a hike to reorient ourselves to the city we last saw 8 years ago. Our intent was to walk to St. Sulpice for the organ concert after morning mass. However, due to staying up late, getting up a bit late, and taking a long time to walk, we arrived for the last 8 bars of music and the long (about a minute) chord at the end of the concert. St. Sulpice has one of the most magnificent pipe organs in Europe and we will go back another Sunday to hear the full concert. The people gave the organist a standing ovation at the end, which is a bit odd in a church.

After that we decided to wander back home past some familiar sights. We wound through the Left Bank past the home and museum of Eugene Delacroix, through the Latin Quarter, and onto Ile de la Cite. Along the way we happened upon a free exhibition of frescoes by Fra Angelico. This is one of those things that can only happen in a city like Paris. Fra Angelico is one of the fathers of modern painting. Although he painted in the 15th century and in religious motifs, he changed the world of painting with his use of color, perspective, and realistic detail. This exhibit at St. Germain des Pres, a monestary church, was a rare treasure that we weren’t aware of until we saw the sign in front of this old abbey church. I’ve included a few photos taken by Jean of some of the paintings.

After leaving St. Germain des Pres we visited the flower market on Ile de Cite, filled with flowers and birds and all the accoutrements on this warm Sunday afternoon. Then we walked past Notre Dame to the Deportation Memorial at the end of the island. This memorial is to around 200,000 French citizens who were deported to concentration camps in WWII. It is a stark place designed to make on feel as if you are in a prison. A long wall in an underground bunker has one tiny light for each person deported.

After sitting a while in the garden outside the memorial we walked home across Ile St. Louis, to Place de Bastille, and back streets to Rue de Charone. What a wonderful day!

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Dublin to Paris

We arrived in Dublin late Wednesday after a wonderful day in the Boyne Valley. Our plan was to use Thursday to arrange shipping of our art equipment to Paris. The airline charged us so much to carry it as baggage that we could save 50% by using DHL…and they will deliver it to our door in Paris! However, Thursday morning our car would not start. Everything worked except the starter. After several hours on the phone with the rental company’s mechanics and an hour in the parking lot with an AA mechanic, it was decided that the car was dead and needed to be towed back to Avis. I hitched a ride in the tow truck with our art bags and then got a ride on the Avis shuttle to the airport. By 4:00 PM I was back at our hotel with our bags on their way to Paris.

Our flight to Paris yesterday was uneventful. Coming into customs and immigration took about 60 seconds. It’s much easier when you are traveling from another EU country than when coming from the US. We arrived at our friends, the Dumonts, an hour early. After greetings we settled into their studio apartment to unpack and relax. Later we joined JP and Elli for dinner and conversation.

Paris awaits!

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Boyne Valley Visit

It has been several days since I had the opportunity to post. It’s time to catch up.

We left Donegal on Tuesday and traveled south through Northern Ireland to the Boyne Valley just north of Dublin. This area has the highest concentration of passage tombs in Europe, Tara Hill (seat of Irish kings for centuries), and the scene of the Battle of the Boyne where the British routed the Irish kings.

We checked into Newgrange Lodge, a B&B across the road from the Bru na Boinne visitor center on a lonely one-lane road out in the country. It is a beautiful landscape, but we didn’t have time to paint. On Wednesday we walked across to the visitor center and got our tickets for the shuttle buses to the passage tomb sites. The antiquities go back more than 6000 years, but include ruins up to the Normans. The oldest are 500 years older than the Great Pyramid in Egypt and predate Stonehenge by 1000 years.

Knowth and Newgrange were the two passage tombs we visited in addition to their numerous satellite tombs, smaller mounds arrayed around these large tombs. In Newgrange we were allowed into the passage deep within hundreds of tons of rock and earth. The inner chamber is a magnificent corbeled ceiling of self-supporting slabs of limestone. It is eerie to stand under so much rock and earth and recognize the architectural brilliance that created it. This tomb’s passage aligns with the sun on the winter solstice. While inside, the guide turned off all the lights so we could experience the darkness and silence of the tomb. Then he slowly illuminated the light passage to demonstrate what it looks like on the solstice. This further impressed us as to the astonomical, geographic, and mathematic knowledge of these ancient people.

These magical sites are preserving partially due to the superstitious nature of the Celtic peoples that persisted into the 20th century. For centuries they shunned these sites as haunted, sacred, or homes of the wee people. That allowed them to remain largely intact for us to experience.

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